FLIRTING TIPS- VOCAL SIGNALS

VOCAL SIGNALS: Vocal signals such as tone of voice, pitch, volume, speed of speech, etc. are like body-language in that they are not about what you say or the words you use, but how you say it.

While body language may be your most important flirting tool, vocal signals come a very close second. The more you think about that , the more concerned you should be that your vocal signals make the best possible impression. Reading the vocal signals of the person you are flirting with will also help you to find out how they really feels about you.

Attraction and interest are communicated by the tone of voice than by what is actually said. Depending on the tone, volume, speed and pitch, even a simple phrase such as "Good evening" can mean anything from "Wow, you're hot" to " Move on and get away from me as quickly as possible".

If your target gives you a slow, deep low pitched, "Good evening", with a slight rise in pitch at the end, like asking a question, this is can be an indication of attraction or interest. If you get a short, high-pitched, expressionless "Good evening", they are probably not interested.

When in conversation, remember that the intonation of even a single word can communicate an immense variety of emotions and meanings. Try practising using variations in your voice for the word "Yeah", and you will find that you can communicate anything from total agreement to reluctant acceptance to scepticism or total disbelief.

Speaking with little variation in pitch, pace or tone of voice, you will be thought of as boring and dull, even if you are saying something fascinating or amusing. Loud booming tone and too much variation in pitch will make you seem overbearing. Speak too quietly or too slowly and you will seem submissive or even depressed. Aim for moderation in volume and tone, and pitch and pace to hold their interest.

Remember that a rising or falling intonation, especially when accompanied by a drop in volume, signals that they have finished talking and are ready to listen to you. When you hear these vocal signals, your companion is probably indicating that it is your turn to speak. When your companion hears these signals, they might assume that it is their turn to talk. Do not frequently end sentences on a rising or falling intonation, with a drop in volume, and then continue talking without allowing them to speak, they will soon become frustrated. Taking your turn when your companion has not given any cues, even if he or she has finished a sentence, will be perceived as interruption, and rude.



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